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世界

by Yorimichi Mifune

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1.
イントロ 02:18
2.
幻滅 04:20
3.
鯖味噌 04:54
4.
平和 05:10
5.
鼻血 03:54
6.
手毬唄 04:00
7.
03:31
8.
冬至 04:41
9.
晩夏 03:47
10.
花柄 03:57
11.
世界 05:31
12.
冷蔵庫 04:03

about

4枚目のフルアルバムをお届けする。タイトルは"世界"と言う。3枚目"必要悪"が10月11日のリリースで、今作が11月9日なので、まあぴったり1ヶ月ぶりのリリースとなる。
前作"必要悪"でビートクラッシャーにまみれたギザギザの音像をとことん提供してきたのだけれども、そこからどう聴きたい音の感触を自分の中でずらしていくことができるかを考えていた。少し時間をおいたほうがいいような気がして2週間ほど音楽を作らなかったのだけれど、そうしたら、予想以上にストレスフルで、イライラしたり気が沈んだりを随分と繰り返してしまった。これはいけないと思って、特にプランも青写真もなくても歩き始めた結果できたのが今作だ。
12曲完成して、通して聴いた感想は、直情的だなと思った。ただ、そんなに暴力的でも下品でもない。トラックやリリック、双方から透けて見える風景はホワイトキューブの中に展示された立体のように静謐だけど(自分で言うな)、その内実に分け入ると、なかなかシビアでヒリヒリする、みたいな感じだ。
今作から全編にわたって使用したエフェクターが、Unfiltered Audioの"Spec Ops"というピッチシフト系らしきもの。まだ全く使いこなせていないのだけれど、それにより、さらに骨と肉になったビートと最小限の上物でどこまでも、今回は走り続けた。ビートクラッシャーはゼロだ。
マイキング、と言っても、せいぜいマイクをどれぐらい自分から離して持つか、みたいなものを変えただけなのだけれど、リップノイズが低減されて、声もかなり聴きやすくなっている。
どうしてこんな音楽を作ろうと思いましたか?みたいな疑問符すら湧いてきそうな50分弱。耳のいい子はアナーキズムを信奉しやすいのかどうかは、ぜひ聴いて確かめてほしい。
では今回も、Bon Voyage。


We will deliver the 4th full album. The title says "the world". The third piece "Necessary evil" is the release on October 11, since this work is November 9, it will be the release for the first time in just one month.
Although we had offered a jagged sound image covered with a beat crusher with the previous work "Necessary evil", I was thinking about how I could shift the feeling of the sound I wanted to hear from within. I felt like I had better spend a little time and I did not make music for about two weeks, but then I was more stressful than expected, irritated and sinking quite a while. I thought that this should not be done, and it is now that I could walk as I started walking without planning or blueprints.
I thought that the impression that 12 songs were completed and heard through it was straightforward. However, it is not so violent nor vulgar. The landscape seen through both trucks and lyrics is quiet like the solid displayed in the White Cube (do not say it yourself), but it seems that it seems quite tingling with severe when it divides into its facts.
Effector used from the current work to the whole story is like Unfiltered Audio's "Spec Ops" pitch shift system. I have not been able to use it at all yet, but this time I continued running this time with the beat which became bone and flesh and the minimum extrusions anywhere. The beat crusher is zero.
My king says, at best, I just changed something like how I keep my microphone away from myself, but lip noise has been reduced, and the voice is also quite easy to hear.
How did you decide to make such music? It seems like a question mark like something like 50 minutes is going to spring. Please listen to them to see if they are easy to believe in anarchism.
So this time again, Bon Voyage.

credits

released November 9, 2017

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all rights reserved

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about

Yorimichi Mifune Tokyo, Japan

Yorimichi Mifune is a solo male music nerd who can create his own music. Active from 2014.
三船寄道(みふねよりみち)は音楽的であると言う他には特に縛りがないソロプロジェクト。2014年から活動中。

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